Im interested in what would normally be considered the worst aspects of commercial art.
ROY LICHTENSTEINIm interested in what would normally be considered the worst aspects of commercial art.
More Roy Lichtenstein Quotes
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Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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All my art is in some way about other art, even if the other art is cartoons.
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I don’t really know what to make of it. There’s something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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Organized perception is what art is all about.
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But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
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People think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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I think the meaning of my work is that it is industrial, it’s what all the world will soon become. Europe will be the same way, soon, it won’t be American; it will be universal.
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Pop Art is industrial painting.
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And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.
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I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward – neo-Zen and all that. Pop Art looks out into the world. It doesn’t look like a painting of something, it looks like the thing itself.
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My direction is very anti-contemplative. If you thought I was for commercial products, you’d think there was no irony. The irony isn’t meant to be an ironic comment on our society, exactly.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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I don’t think that I’m over his influence but they probably don’t look like Picassos; Picasso himself would probably have thrown up looking at my pictures.
ROY LICHTENSTEIN