If you want a bourgeois existence, you shouldn’t be an actor. You’re in the wrong profession.
UTA HAGENIf you want a bourgeois existence, you shouldn’t be an actor. You’re in the wrong profession.
More Uta Hagen Quotes
-
-
I’m a bad liar; I don’t know what to say backstage.
UTA HAGEN -
Marlon was so sensitive, you thought the poor guy just had a bad education.
UTA HAGEN -
For some strange reason, we believe that anyone who lived before we were born was in some peculiar way a different kind of human being from any we have come in contact with in our own lifetime.
UTA HAGEN -
All tedious research is worth one inspired moment.
UTA HAGEN -
We were not allowed to say, Screw, but we could say, Hump the hostess, because hump is in Shakespeare.
UTA HAGEN -
It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
UTA HAGEN -
Awards don’t really mean much.
UTA HAGEN -
Once in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
UTA HAGEN -
I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don’t go.
UTA HAGEN -
We had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
UTA HAGEN -
Keep pace with the present. Take a trip to the moon. envision the future.
UTA HAGEN -
The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
UTA HAGEN -
Usually, someone who’s in a show gets me a ticket. I feel cornered. I can’t walk out if I don’t like it.
UTA HAGEN -
Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
UTA HAGEN -
Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
UTA HAGEN