My dad was such a good dad that when he left, he left a huge scar. He was my superhero.
JAY-ZGrowing up, politics never trickled down to the areas we come from. But people from Obama’s camp, and Obama himself, reached out to me and asked for my help on the campaign. We’ve sat and had dinner, and we’ve spoken on the phone. He’s a very sharp guy. Very charming. Very cool.
More Jay-Z Quotes
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When I listen to Amy Winehouse, I believe that her heart and soul is in the music, or if I listen to other British artists like Duffy or Estelle. The aesthetic of it is different, and it’s my point of view. It’s not anything formulaic.
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I was a really good student. In the sixth grade, I was reading at a twelfth grade reading level. But I got bored.
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The burden of poverty isn’t just that you don’t always have the things you need: it’s the feeling of being embarrassed every day of your life, and you’d do anything to lift that burden.
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My first album was mainly dealing with street issues, and it was ‘coded’: it was called ‘Reasonable Doubt.’ So the things I was talking about…
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I don’t profess to be a political rapper, like groups such as ‘Dead Prez’ or ‘Public Enemy’, but I think social commentary should make its way into your music. Speaking on your neighbourhood is social commentary – what happens, what’s going on.
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Nothing me and Kanye can do musically was gonna match the event of what we were trying to do. So we were trying to deliver an album and experience at one time; that was the idea for ‘Watch The Throne’.
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I collect art, and I drink wine… things that I like that I had never been exposed to. But I never said, ‘I’m going to buy art to impress this crowd.’ That’s just ridiculous to me. I don’t live my life like that, because how could you be happy with yourself?
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We were living in a tough situation, but my mother managed; she juggled. Sometimes we’d pay the light bill, sometimes we paid the phone, sometimes the gas went off.
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I’ve got a nice collection of paintings – a Basquiat, a black-and-white Warhol that’s like a Rorschach test, and I commissioned Takashi Murakami to do a ten-foot joint for me. It’s almost like the explosion in Hiroshima with his famous skeleton head. There’s a wall above my fireplace reserved for it.
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I’ve talked to Bill Clinton – he’s the ultimate rock star; no one’s more charming than him. People clap in a restaurant when he finishes dinner! I don’t get that treatment. I get it when I walk onstage, but not when I have dinner.
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I learned to ride a ten-speed when I was 4 or 5. My uncle gave me the bike, hand-me-down, and everyone used to stare at me riding up and down this block. I was too short to reach the pedals, so I put my legs through the V of the frame. I was famous. The little kid who could ride the ten-speed.
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I grew up in Marcy Projects in Brooklyn, and my mom and pop had an extensive record collection, so Michael Jackson and Stevie Wonder and all of those sounds and souls of Motown filled the house.
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It was a very intense and stressful situation. There was playing in the Johnny-pump (an opened fire hydrant) and the ice-cream man coming around and all of these games that we’d play, and suddenly it would turn just violent and there would be shootings at 12 in the afternoon on any given day.
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Rap for me is like making movies, telling stories, and getting the emotions of the songs through in just as deep a way.
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I don’t sit around with my friends and talk about money, ever. On a record, that’s different.
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