“Hip-hop has done more for race relations than most cultural icons; and I say save Martin Luther King, because his ‘I Have A Dream’ speech was realized when Obama was elected into office.”

When you’re accustomed to wealth, you don’t show it, right? That’s why the white kids in school could wear bummy sneakers; it’s almost like, ‘Don’t show wealth – that’s crass.’

I learned to ride a ten-speed when I was 4 or 5. My uncle gave me the bike, hand-me-down, and everyone used to stare at me riding up and down this block. I was too short to reach the pedals, so I put my legs through the V of the frame. I was famous. The little kid who could ride the ten-speed.

If you look at my career and you look at the span of my work and the things I have done, as far as to garner fame, you’ll see that I have turned down more interviews than I do. Or I turn down more things than I do.

As kids, we didn’t complain about being poor; we talked about how rich we were going to be and made moves to get the lifestyle we aspired to by any means we could.

One of the reasons inequality gets so deep in this country is that everyone wants to be rich. That’s the American ideal.

Successful people have a bigger fear of failure than people who’ve never done anything because if you haven’t been successful, then you don’t know how it feels to lose it all.

You don’t have that fear. So why do you think people get stuck in those boxes? It’s that fear of going back down.

My thing is related to who I am as a person. The clothes are an extension of me. The music is an extension of me. All my businesses are part of the culture, so I have to stay true to whatever I’m feeling at the time, whatever direction I’m heading in. And hopefully, everyone follows.

Excellence is being able to perform at a high level over and over again. You can hit a half-court shot once. That’s just the luck of the draw. If you consistently do it… that’s excellence.

Everyone’s supposed to stay in their lines and be neat. ‘You’re a rapper. You’re supposed to rap, carry a boom box, wear chains, and go to the club – that’s all you do. What are you doing collecting art?

They say a midget standing on a giant’s shoulders can see much further than the giant. So I got the whole rap world on my shoulders, they trying to see further than I am.

I can think of no one more relevant and credible in the hip-hop community to build upon Def Jam’s fantastic legacy and move the company into its next groundbreaking era.

I listen to everything – from Sarah McLachlan and Alanis Morissette all the way down to rap like Scarface, UGK and Lauryn Hill.

Biggie was the King Of New York as a rapper. There’s a lot more dangerous guys than Biggie Smalls out there, you know what I’m saying? John Gotti was way closer to King Of New York than him.

When I came into the music, I was forced to be a CEO. I was forced to be an entrepreneur; I was forced to… because I was looking for a deal. I didn’t have this grand scheme of starting a record company and then morphing into a clothing empire.

My passion is music, you know, and music influences culture, influences lifestyle, which leads me to ‘Roc-A-Wear’. I was forced to be an entrepreneur, so that led me to be CEO of ‘Roc-A-Fella’ records, which lead to Def Jam.

Battle rap is a culture. That’s boxing, it’s like boxing.

As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.

Film is very much a universal and common voice, and we can’t limit it to one particular culture.

The Civic Culture (and The Civic Culture Revisited) remains the best study of comparative political culture in our time.

The experience of being on a show that is very much in the center of popular culture is exciting. You really feel like you’re reaching people.

The great joy of doing ‘The Daily Show’ for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I’m playing the brown guy, and sometimes I’m not, but the best stuff I do always goes back to being a brown kid in a white world.

Sex is perhaps like culture – a luxury that only becomes an art after generations of leisurely acquaintance. Why we scarcely approach either as individuals – it’s mass propulsion still!

I grew up on American pop culture so everything that I fantasized about to get out of this sort of humdrum world of Bradford was about America. So when we decided to move there I was on the plane.