“I think it’s good to not edit your life too much, or you give people different standards.”

I am learning on every job I do. There is something new every time.

It’s always shocking when you see a modern woman in a period story line. It doesn’t make sense.

For me, I really appreciate seeing real bodies on screen, that variation, not the same frames we saw for the majority of our upbringing, making us feel like we have to look that way.

You are hugely responsible for people following you. You need to work out why you are posting, what the message is, and what you are doing to these people.

I always did a lot of singing and dancing, so I am glad it worked out that way. I would like to study stage acting at some point, though.

The fact that I’ve been nominated for a BAFTA is insane.

If people are noticing the hard work I’m doing, then that’s a wonderful thing.

I used to reenact ‘Titanic’ all the time.

In ‘Fighting With My Family,’ there’s a scene where I have to wrestle; I have to do the famous fight between Paige and AJ Lee.

There was one moment when I was in L.A., and he was teaching me a move. I just looked at him, thinking, ‘Oh my God, I’m being taught to wrestle by Dwayne Johnson. What the hell?’

Amazing, obviously. She’s been my idol since I re-enacted ‘Titanic’ and fell in love with Leo. And it’s a privilege to be called the next anything. But I suppose to be the next you is all you can do.

I grew up in a very loud family where you had to fight to get your voice heard, in a good way.

What we don’t realise when we watch a normal film is how many times someone has run in just before a shot quickly to wipe away that sweaty moustache.

Wearing a corset is extremely uncomfortable.

That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.

As beautiful as cinema is, it’s a massive part of the problem of why we look at ourselves in the way we do.

You’re always a little disappointing in person because you can’t be the edited essence of yourself.

There’s a gap between what I want to do, what I do on camera, and what gets edited. Right? So the goal is to try and close the gaps.

Ending wars is very simple if you surrender.

A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is.

I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I’ll write a notebook full of ideas of anecdotes or story points.

TV and film taught me to think cinematically. Teaching others to edit, for example, provides a great deal of insight into the millions of ways in which given elements can be put together to tell a story.

When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.

You can shoot and edit a movie from your iPhone and upload it to YouTube.