“Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.”

From even the greatest of horrors, irony is seldom absent.

To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.

Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.

Unhappy is he to whom the memories of childhood bring only fear and sadness.

I have no illusions concerning the precarious status of my tales and do not expect to become a serious competitor of my favorite weird authors.

The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.

Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.

Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.

It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared – as it always should be.

That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.

Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.

Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.

Searchers after horror haunt strange, far places.

I am not very proud of being an human being; in fact, I distinctly dislike the species in many ways. I can readily conceive of beings vastly superior in every respect.

Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.

But are not the dreams of poets and the tales of travellers notoriously false?

Today, when I saw you, I realized that what is between us is nothing more than an illusion.

The great illusion of leadership is to think that man can be led out of the desert by someone who has never been there.

Our society nurtures the illusion that all the rewards go to the people who are perfect. But many of us are finding out that trying to be perfect is costly.

There’s simply no polite way to tell people they’ve dedicated their lives to an illusion.

It is difficult to maintain the illusion that we are interpreting a Constitution, rather than inventing one.

The secret to film is that it’s an illusion.

The greatest profound pain is cased by, and is the result of our own illusions, fantasies and dreams.

Solitude is the furnace of transformation. Without solitude we remain victims of our society and continue to be entangled in the illusions of the false self.