“If religion were true, its followers would not try to bludgeon their young into an artificial conformity; but would merely insist on their unbending quest for truth, irrespective of artificial backgrounds or practical consequences.”

The process of delving into the black abyss is to me the keenest form of fascination.

Even when the characters are supposed to be accustomed to the wonder, I try to weave an air of awe and impressiveness corresponding to what the reader should feel. A casual style ruins any serious fantasy.

From even the greatest of horrors, irony is seldom absent.

To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.

Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.

Unhappy is he to whom the memories of childhood bring only fear and sadness.

I have no illusions concerning the precarious status of my tales and do not expect to become a serious competitor of my favorite weird authors.

The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.

Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.

Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.

It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared – as it always should be.

That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.

Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.

Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.

Searchers after horror haunt strange, far places.

I am not very proud of being an human being; in fact, I distinctly dislike the species in many ways. I can readily conceive of beings vastly superior in every respect.

Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself.

If it be true, as I believe it is, that morality is dependent upon religion, then religion is not only the most practical thing in the world, but the first essential.

Instead of going to the gym, I dress in black – a lot more practical and much more fun.

An ounce of application is worth a ton of abstraction.

Any truth, no matter how valid, if emphasized to the exclusion of other truths of equal importance, is practical error.

I don’t believe in marriage. It’s bloody impractical. ‘To love, honor, and obey.’ If it weren’t, you wouldn’t have to sign a contract.

Wisdom and foolishness are practically the same. Both are indifferent to the opinions of the world.

If the Lord is coming soon, is this not a very practical motive for greater missionary effort? I know of no other motive that has been so stimulating to myself.