You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
SEAMUS HEANEYI always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
More Seamus Heaney Quotes
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It’s difficult to learn poems off by heart that don’t rhyme.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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There is risk and truth to yourselves and the world before you.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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Poetry is more a threshold than a path.
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I’ve always associated the moment of writing with a moment of lift, of joy, of unexpected reward.
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The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself – as a vocation and an elevation almost.
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I don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
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Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
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It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them. They feel they have got it right if they express the stress.
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The end of art is peace.
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As a young poet, you need corroboration, and that’s what publication does.
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Poems that come swiftly are usually the ones that you keep.
SEAMUS HEANEY






