The faking of feelings is a sin against the imagination.
SEAMUS HEANEYI always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
More Seamus Heaney Quotes
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At home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
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I came from a farming background, and my career was teaching.
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Even if the hopes you started out with are dashed, hope has to be maintained.
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As a young poet, you need corroboration, and that’s what publication does.
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The murder of Sean Brown hurt my soul.
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You yourself don’t have to be shaken by mortal danger in order to feel your mortality.
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Even if the last move did not succeed, the inner command says move again.
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My experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
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Your temperament is what you write with, but it’s also how you deal with the world.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
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I’ve said it before about the Nobel Prize: it’s like being struck by a more or less benign avalanche. It was unexpected, unlooked for, and extraordinary.
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As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note.
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I don’t think my intelligence is naturally analytic or political.
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I think childhood is, generally speaking, a preparation for disappointment.
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My father and mother had no sense of entitlement for their children.
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