Time is a rigid, bonelike structure, extending infinitely ahead and behind, fossilizing the future as well as the past.
ALAN LIGHTMANI certainly believe there are forces bigger than ourselves, and that we should be searching, individually, for meaning in our lives. But I don’t believe there’s a supreme being, an intelligence that created everything.
More Alan Lightman Quotes
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He hopes that she loves him in return. Is it possible for a person to love without wanting love back?
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“The Diagnosis” is by far my most ambitious book. I such great hopes for it… there was so much I wanted to do with the book. I was extremely insecure about it for several years.
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In this world, there are two times. There is mechanical time and there is body time.
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For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.
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In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective.
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We have a house on a very tiny island in Maine. Which is really my spiritual center. We’ve been going there for ten years, and it has no ferry service, no bridges, no telephone service. It’s really isolated.
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A good book changes for you every few years because you are in a different place in your own life. That’s a sign of a good novel.
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Others hold that each decision must be considered and committed to, that without commitment there is chaos. Such people are content to live in contradictory worlds, so long as they know the reason for each.
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We feel such a strong connection to nature. But the relationship between nature and us is one-sided. There is no reciprocity. There is no mind on the other side of the wall.
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I was in New York and had lunch with Oliver Sachs and compared notes with him – he is someone I really like.
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Unconditional love. That’s what he wants to give her and what he wants from her. People should give without wanting anything in return.
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In a world in which time is a circle, every handshake, every kiss, every birth, every word, will be repeated precisely.
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You can’t let your characters just be mouthpieces for your ideas. They have to live and breathe on their own.
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It’s not necessarily a large number of people that affect the culture. You don’t count the number of influential voices, you weigh them. A hundred people can affect the culture.
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Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing of rain?
ALAN LIGHTMAN