So many little lives, amounting to nothing. I ask you: What is infinity multiplied by zero? It is hardly worth our discussion.
ALAN LIGHTMANSadness is no more than a bit of acid transfixed in the cerebellum.
More Alan Lightman Quotes
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A world in which time is absolute is a world of consolation. For while the movements of people are unpredictable, the movement of time is predictable.
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In this world, there are two times. There is mechanical time and there is body time.
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The urge to discover, to invent, to know the unknown, seems so deeply human that we cannot imagine our history without it.
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I go to live in Maine for the summer. Without computer, and without the telephone service we are mercifully without the faxes and e-mails.
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A good book changes for you every few years because you are in a different place in your own life. That’s a sign of a good novel.
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Body time flows at its own variable rate, oblivious to the most precise hydrogen master clocks in the laboratory. In fact, the human body contains its own exquisite time-pieces, all with their separate rhythms.
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Don’t you feel something magical when you’re in love?… I do, I certainly do … but I think that feeling of magic is a hardwired psychological response. It’s a chemical thing in the brain.
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It’s not necessarily a large number of people that affect the culture. You don’t count the number of influential voices, you weigh them. A hundred people can affect the culture.
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Continents of memory had been lost.
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The second squirms and wriggles like a bluefish in a bay. The first is unyielding, predetermined. The second makes up its mind as it goes along.
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One day I’m going to write a book about osprey. It has really gotten deep into my bloodstream. So when you ask what else I do, I feel like this is part of what I do….is to watch these birds.
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I think once we stop asking questions like “what is the age of the universe,” or “how are the instructions of DNA carried out on a microscopic level,” once we stop asking questions like that, we’re dead.
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The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past.
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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That has been the great achievement of our age: to so thoroughly flood the planet with megabits that every image and fact has become a digitized disembodied nothingness. With magnificent determination,
ALAN LIGHTMAN