“I’ve always said that if you have songs on the radio and get played, you’ve got to have a tour to support that.”

And just about anybody you can think of who has made country music has been on that stage. That’s what makes you so nervous.

I’m just looking for a mixture of songs and topics that aren’t the same thing over and over.

Oklahoma’s always been good to me.

You think a lot of people get to be big stars and get a little crazy.

Making music is still what keeps a fire going on in me.

I think I’ve always approached making albums pretty much the same way.

The older you are, I think you realize what you enjoy and what you don’t need, what wears you out and what’s important.

If you just do 50 to 60 shows a year, it’s not that much time away from home.

But most of the ones I’ve ever met have always been surprisingly normal, and I’ve enjoyed that.

Just try to do music that you like and you are proud of and not just whatever you think it’s going to take to get you on the radio.

Everybody always thinks that. But in just about every album I’ve ever had has been about 50-50 songs I’ve written or co-written and other people’s songs.

I don’t like politics, hypocrites, folks with poodles.

Growing up in Georgia, I used to think people up north or out west were so different. They’re really not.

You just write about things that happen.

Looks can go, fads can go, but a good song lasts forever.

What I enjoy doing more than anything is.

As long as I’m still able to have a hit on the radio and sell a few albums and some tickets,

On TV the people can see it. On radio you’ve got to create it.

Radio news is bearable. This is due to the fact that while the news is being broadcast, the disk jockey is not allowed to talk.

Just try to do music that you like and you are proud of and not just whatever you think it’s going to take to get you on the radio.

And radio definitely doesn’t; they want that positive, uptempo thing.

On the Greek frontier, one wasn’t sure what came next. So, don’t trust the telephone. Or the newspapers. Or the radio. Or tomorrow.

Telling people that I wanted to make dance music, or be on the radio, they looked at me like I was crazy because there was nothing like that in Lichtenstein when I was getting started. That’s why I went to Germany, because there is industry there.

I’m a music fan, and I can listen to the radio, or music, without thinking, “How am I going to screw this up?” [Laughs] If I’m really actively trying to think of a parody, then I’ll have my antenna out, and be a little more proactive about it.