“Sometimes people get really sniffy about the films you choose if you’ve done more dramatic projects or you’re classically trained.”

It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.

You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.

Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.

Nowadays people don’t know how to handle it if all the ends aren’t tied up and they’re not told what to think in films. And if they’re challenged, they think it’s something wrong with the film.

It is actually important to do songs they’re familiar with. Also, I love those songs. In a way, I think I’ve changed people’s perceptions of what a cabaret show like this could be.

A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.

My feeling about work is it’s much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.

When there’s an adult person who’s scaring you, you grow up pretty quickly.

It is not hard to feel like an outsider. I think we have all felt like that at one time or another.

It’s really rare for film directors to be that interested in things other than themselves.

I’m Scottish first, and it’s odd to hear that I’m a Scottish-American.

It’s hardly ever done, compared to how often it’s done in other companies, not just Britain. Someone from the Roundabout Theater Company – I said, “You never do Shakespeare.” And he said, “Yes, we’re not very good at it.” And I thought, “What a terrible thing to say.”.

I have no regrets in my life even the crazy things I’ve been in. It all made me the I am today and I wouldn’t change anything. I’m happy with who I am!

For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.

I’m not a fan of Twitter.

Actually I like working kind of fast, because if you got it, why bother doing it over and over?

We are really here to be happy and to make others happy.

It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.

There’s a time in everybody’s life they really don’t want to talk to people: they want to get away from talking or being on the phone and stuff.

Really, you don’t lose until you stop trying.

I don’t really know the logistics of a Soundcloud rapper.

I equate Deadheads to people that like black licorice. There aren’t many people that like black licorice, but the ones that do, REALLY REALLY like it! Or buttermilk, or whatever.

I’m not really an actor, I’m a reactor; I’m a pitchman. That’s what I do best. Nobody can do it any better.

We’re like licorice. Not everybody likes licorice, but the people who like licorice really like licorice.