“It was repugnant, but it was the only way to communicate.”

I can’t see any reason why a film shouldn’t be stylized and visually beautiful. I don’t think a beautiful set is pretentious.

For some reason the more time that elapses after the film opens, the more favorable the reviews become.

We should all die with a sharp, brusque heart attack. My father was lucky like that.

There cannot be any communication except through form. If there is no form, you cannot create emotion in the spectator.

When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them.

A viewer as opposed to a filmmaker might see a film differently. But I’m extremely comfortable with my style.

When I was twelve, the passage from silent film to the talkies had an impact on me-I still watch silent films.

I saw part of The Singing Detective on TV in New York. I said, Something is going on here.

So I used formal techniques to make the film more perceptive emotionally.

My films seem to be better understood and better received by the monthly publications

For me an unfavorable initial reaction happens fairly often.

. On television the first reactions are usually unfavorable.

I don’t think that there is any such thing as an old film; you don’t say, ‘I read an old book by Flaubert,’ or ‘I saw an old play by Moliere.’

They weren’t frightening at all. I’m sure they’d be very funny now.

I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film.

I am never driven. Every film Ive made has been an assignment.

The writer labors in isolation, yet all that intensive, lonely work is in the service of communicating, is an attempt to reach another person.

Confidentiality is the nature of all governments. Of course you may say, the government will always want to communicate the good news; things which bring satisfaction, cheer, help or pleasure to voters. And of course, you are right, governments are not masochists by nature.

Consciousness is non-local and does not depend on words to communicate.

Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain.

I do think that art that doesn’t communicate is useless.

They walked along, two continents of experience and feeling unable to communicate.

It is even stranger than a man talking to himself or a woman standing dreaming at her stove. It is as if another planet is communicating with you.

I’m very interested in the improvisation because one of the things I do is to help train scientists to communicate in a better way and more personal way when they’re making a presentation, and I use improvisation to do that.