“No matter how much you change, you still got to pay the price for the things you’ve done.”

I’m much more interested in what an actor has to say about something substantial and important than who they’re dating or what clothes they’re wearing or some other asinine, insignificant aspect of their life.

I have three women in the house. I get to be wrong three times a day.

If I ever woke up with a dead hooker in my hotel room, Matt would be the first person I’d call.

Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.

It doesn’t matter how you get knocked down in life, because that’s going to happen. All that matters is that you gotta get up.

Sometimes the people we meet change us forever.

There’s a lot of romance to sort of living by your own rules and sort of not subscribing to what society tells you to do, but society pushes back pretty strongly, so there’s a lot of compromise that goes with that.

I’ve never held myself up particularly high when I had movies that worked, and I never held myself all that low when I had failures.

I like to think that if I were gay I would be out. Rupert Everett-style.

Directing is monumentally complicated and it’s a function of all the time you pay to it. I think it would be great to do a movie I’m not in, I could just eat Fritos and just say, ‘yeah, it’s good!’ Some day.

Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.

People ascribe a certain kind of silliness to the movie business. Everybody feels like, “In the movies, they do crazy stuff.”

A lot of my shows in the past have been more theatrical than others, but you really get the bug for it when you direct on stage.

The best cure for a hangover is something one straight man can’t do for another straight man.

Nobody goes to a movie and watches the script. There is a lot of other stuff going on.

It wasn’t my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.