“If you can identify with people, you can empathize with people and therefore you understand things.”

When I was younger, there was the sex thing. That’s par for the course.When you’re a movie star, it went with it. It’s a kind of rite of passage, socially.

[Ocean’s Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids.

I come from the South Bronx – a true descendant of the melting pot. I grew up in a really mixed neighborhood; it was a very integrated life.

It’s childish. It’s also responsible. It’s illuminating, enriching, joyful, drab. It’s bizarre, diabolical. It’s exciting.

My first language was shy. It’s only by having been thrust into the limelight that I have learned to cope with my shyness.

I was quite overtaken by success and fame. I was one of those types who responded to it in a negative way. It was not easy.

When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff.

Be careful how you judge people, most of all friends. You don’t sum up a man’s life in one moment.

Our life is looking forward or looking back, that’s it. Where is the moment?

And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.

Learning (Shakespeare’s plays) …in school was a bit of a bore.

The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.

Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.

I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.

Sometimes they are the same exact thing.

I put comedy as much as I can into all my movies, if I can help it.

My interest is always to get as deeply as I can into the minds and spirits of the characters and let the readers empathize or judge as they will.