“It is part of the imaginative process, on the same terms as invention.”

Memory belongs to the imagination.

The art of the novel, however, has fallen into such a state of stagnation – a lassitude acknowledged and discussed by the whole of critical opinion – that it is hard to imagine such an art can survive for long without some radical change.

The true writer has nothing to say. What counts is the way he says it.

the world is neither meaningful, nor absurd. it quite simply is, and that, in any case, is what is so remarkable about it.

What do young girls dream of? Of the knife and of blood.

Memory belongs to the imagination. Human memory is not like a computer which records things.

The reader [as well as the main character] does not view the work from outside. He too is in the labyrinth.

Premie’ re approximation: j’e cris pour de truire, en les de crivant avec pre cision, des monstres nocturnes qui menacent d’envahir ma vie e veille e. First general point: I write to destroy, by describing exactly the nocturnal monsters that threaten to invade my waking life.

There is a famous Russian cartoon in which a hippopotamus, in the bush, points out a zebra to another hippopotamus: ‘You see,’ he says, ‘now that’s formalism.

To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.

They play gangsters, nowadays, just like boys. They organize rackets. They plan holdups and practice karate. They will rape defenseless adolescents. They wear pants…

Deux me’ tresou un peu plusse parent donc l’homme de la femme. Two metres, or a little more, separates a man from a woman.

Le lecteur, lui non plus, ne voit pas les choses du dehors. Il est dans le labyrinthe aussi.

On n’e chappe pas a’ son sort. One cannot escape destiny.

To tell the truth, girls are no longer the way they used to be.

Works of imagination should be written in very plain language; the more purely imaginative they are the more necessary it is to be plain.

We have the most varied and imaginative bathrooms in the world, we have kitchens with the most gimmicks, we have houses with every possible electrical gadget to save ourselves all kinds of trouble – all so that we can have leisure. Leisure, leisure, leisure!

In my opinion, there is a huge lack of imaginative, unconventional music being created by artists today and what little there is, goes widely unappreciated by the masses

The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates.

Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science.

People who get Nobel prizes aren’t necessarily the most imaginative of people. People who sometimes find a system, develop a system, do very useful work.