…if the beginnings of love and amorous politics are equally rosy, then the ends may be equally bloody.
ALAIN DE BOTTONIt was no longer her absence that wounded me, but my growing indifference to it. Forgetting, however calming, was also a reminder of infidelity to what I had at one time held so dear.
More Alain de Botton Quotes
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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The problem isn’t so much finding good ideas (there is no shortage) as embedding the ones we have into everyday practice.
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Art cannot single-handedly create enthusiasm… it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
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It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
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So many complaints boil down to the belly ache of the fragile, mortal, ignored ego in a vast and indifferent universe.
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One of our major flaws, and causes of unhappiness, is that we find it hard to take note of appreciate and be grateful for what is always around us. We suffer because we lose sight of the value of what is before us and yearn, often unfairly, for the imagined attraction elsewhere.
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Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
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The largest part of what we call ‘personality’ is determined by how we’ve opted to defend ourselves against anxiety and sadness”.
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Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
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The company of certain people may excite our generosity and sensitivity, while that of others awakens our competitiveness and envy.
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The most attractive are not those who allow us to kiss them at once [we soon feel ungrateful] or those who never allow us to kiss them [we soon forget them], but those who coyly lead us between the two extremes.
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The happiness that may emerge from taking a second look is central to Proust’s therapeutic conception. It reveals the extent to which our dissatisfactions may be the result of failing to look properly at our lives rather than the result of anything inherently deficient about them.
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Though it may feel otherwise, enjoying life is no more dangerous than apprehending it with continuous anxiety and gloom.
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Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
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When you look at the Moon, you think, ‘I’m really small. What are my problems?’ It sets things into perspective. We should all look at the Moon a bit more often.
ALAIN DE BOTTON