Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There’s a liberation in that.
AL PACINOPeople are always asking me to do Shakespeare – at home, at colleges, on film locations, in restaurants. It’s like playing a piece of music, getting all the notes. It’s great therapy.
More Al Pacino Quotes
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Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.
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People are always asking me to do Shakespeare – at home, at colleges, on film locations, in restaurants. It’s like playing a piece of music, getting all the notes. It’s great therapy.
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If you can identify with people, you can empathize with people and therefore you understand things.
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The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work.
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I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.
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I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they’ll pay attention long enough to consume it.
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I understand it on a superficial level, but the depth of it just boggles my mind. I think it’s probably the greatest of all speeches ever written.
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I’m an actor, and everything about me – the way I perceive things, the way I have seen the world – has been in relation to characters and how I would want to play something or not play it.
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When my mother got home from work, she would take me to the movies.
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You’re in a conversation and everybody’s agreeing with what you’re saying – even if you say something totally crazy. You need people who can tell you what you don’t want to hear.
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“What was that, George, what were you doing?” And he said, “They were sleeping.” You’re always trying to catch them.
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[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.
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I found that speaking live to people, young people, about what I liked and what had been happening to me was very good for me.
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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You sharpen the human appetite to the point where it can split atoms with its desire; you build egos the size of cathedrals; fiber-optically connect the world to every eager impulse.
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