“It was a way of escaping the responsibilty of what was happening.”

When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story.

You’re in a conversation and everybody’s agreeing with what you’re saying – even if you say something totally crazy. You need people who can tell you what you don’t want to hear.

Failure’s relative. I’ve always felt, even early on, if I lose the freedom to fail, something’s not right about that. It’s how you treat failure, too.

Actors are always outsiders. It’s necessary to be able to interpret – and that gets distorted when you become famous.

The interesting thing about this is I don’t know what my vision [ in Salome the play and Salomaybe] is yet about.

If you get all tangled up, just tango on.

You take a guy like George Clooney who goes out there to Darfur, and gets things done! That’s magical. He’s done a great thing.

Jamie Foxx does a good rendition of me. It’s a real gift, mimicry of that kind, the tonal thing. It’s sort of like having a talent for playing an instrument.

You don’t get to know anybody in a movie until after it’s over. You work less together in a film than you do onstage.

sometimes it’s better to be with the devil u know than the angel u didn’t know

You could almost call them marriages, even though I didn’t marry. But it was costly.

That’s the way to live – around people who care. It may be a tough ride, but something is going to come out of it.

Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.

I used to think of myself as a comedian. I’ve always admired comedians.

I love work because it keeps sex in perspective. Otherwise, it can become a preoccupation.

A lot of actors choose parts by the scripts, but I don’t trust reading the scripts that much.