There is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away.
AL PACINOI’ve been a lavatory attendant, a theatre usher, a panhandler, all for real. Now, as an actor, I can be a journalist today and a brain surgeon tomorrow. That’s the stuff my dreams are made of.
More Al Pacino Quotes
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they’re not used to?
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I’m sensing something and I’m going along with it. It reminds me of a painting, the way Jackson Pollack painted – Jackson Pollack, the great, great artist.
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I found that speaking live to people, young people, about what I liked and what had been happening to me was very good for me.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires.
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Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.
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I was shocked when I heard about Paul Newman retiring at age 82. Most actors just fade away like old soldiers.
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[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
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A lot of actors choose parts by the scripts, but I don’t trust reading the scripts that much.
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I don’t like a lot of things like [Iraq], I never did. Being in a position of celebrity and having your words carry such unnatural weight…
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What kind of failure was it? A failure because it’s misunderstood by others? A failure because you misunderstood it yourself?
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You try to maintain a neutral approach to your work, and not be too hard on yourself.
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There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.
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Playing a character is an illusion, and I feel that when you know too much about a person, possibly part of that illusion is disrupted.
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I don’t care if it’s a walk in the park, a look out the window, a good bubble bath – whatever. Even a meal you like, or a friend you want to call. That helps us solve all this stuff in our head.
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Actors are always outsiders. It’s necessary to be able to interpret – and that gets distorted when you become famous.
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