“My grandfather was a provider. Work, any kind of work, was the joy of his life.”

Sometimes you’re fighting corporations and forget that people can talk to each other.

Love is overrated. Biochemically no different than eating large quantities of chocolate

I personally think if you’re given four months instead of four weeks on a play, with the people who want to work that way.

All due respect, and trying to be as modest as I can be: I am a dancer.

All I am is what I’m going after.

You never open your mouth until you know what the shot is.

In America most everybody who’s Italian is half Italian. Except me. I’m all Italian. I’m mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.

If you have the opportunity to meet someone as an actor, it’s just great fodder for you. It’s wonderful source stuff that we die for.

When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story.

It was a way of escaping the responsibilty of what was happening.

You’re in a conversation and everybody’s agreeing with what you’re saying – even if you say something totally crazy. You need people who can tell you what you don’t want to hear.

Failure’s relative. I’ve always felt, even early on, if I lose the freedom to fail, something’s not right about that. It’s how you treat failure, too.

Actors are always outsiders. It’s necessary to be able to interpret – and that gets distorted when you become famous.

The interesting thing about this is I don’t know what my vision [ in Salome the play and Salomaybe] is yet about.

If you get all tangled up, just tango on.

You take a guy like George Clooney who goes out there to Darfur, and gets things done! That’s magical. He’s done a great thing.

In the first place the family provides society with an orderly means of reproduction,

But still I know that writing this diary can perhaps provide the answer; it may even help produce the right future.