“I don’t think actors should ever expect to get a role, because the disappointment is too great.”

The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.

Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.

I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.

Sometimes they are the same exact thing.

I put comedy as much as I can into all my movies, if I can help it.

Grease even the dullest dreams with these dollar-green, gold-plated fantasies, until every human becomes an aspiring emperor, becomes his own God… and where can you go from there?

It would be hard to play a character you don’t like – for me anyway – or can’t find something in them to like.

I don’t talk politics and I don’t talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.

Certainly the movies were always in the air for me. I come from the era when actors thought it was a big deal to be in the movies.

I’m an actor, not a star. Stars are people who live in Hollywood and have heart-shaped swimming pools.

I once asked my oldest daughter [Julia Marie] if she thought about changing her name in school and she said, “No, I’m a Pacino. That’s my name.”

I had these little babies [my twins] and it gave me something so spectacular, such a feeling – I was so turned on and so excited by them that I wrote a poem.

When you’re acting for a camera, it keeps taking and never giving back.

What’s this thing that gets between us and Shakespeare?

All due respect and trying to be as modest as I can be,

I like women who can cook. That’s first. Love is very important, but you’ve got to have a friend first.