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In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.

Al Kooper

Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER

Guy Man Organ Player Producer Say Turn
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER

Cock Cubic Every Fake Joke Morning Paino Place Upright Wall White Work
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER

Album Differ Different Entirely Highway Incorrect Recor
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER

Ambition Bob End Fact Play Session Sheer Through
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER

Afternoon Age Career Finish Guitar Just My One
I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPER

Around Believe Center Country Everything Just Live
I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
AL KOOPER

Crook Definitely Doubt Fitness Generation Little Money More Out People Take Wave
The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.
AL KOOPER

Celebrity Disorganized Invite Least Like Mean Producer Roll Say Session Stone Watch
Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
AL KOOPER

Chronicle Compiler Event Feel Intelligent Many Participate Research Room So Unlike
In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPER

Activity Alley Building Country Hib Music Pan Tin
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER

Bob Eloquent Music Musically Primitive Somebody Term Use User
Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPER

Before Celebrity Down Hear never Person Play Start Went White
The very funny thing about “Like A Rolling Stone” is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument.
AL KOOPER

Funny Thing Instrument Minute Play Read Rolling Six Song Stone Unfamiliar
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPER

After Country Politics Record Roll Stone Think
Still being ambitious to want to play on the record, I was a mediocre keyboard player. And uh, I seized the opportunity and played the organ.
AL KOOPER

Ambitious Keyboard Mediocre Opportunity Organ Play Player Record Seize Still
You couldn’t help being influenced by Dylan.
AL KOOPER

Being Help Influence Person

In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.

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In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.

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Popular Authors

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