There is only one way left to escape the alienation of present day society: to retreat ahead of it.
ROLAND BARTHESThere is only one way left to escape the alienation of present day society: to retreat ahead of it.
ROLAND BARTHESThe birth of the reader must be at the cost of the death of the Author.
ROLAND BARTHESI try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
ROLAND BARTHESWho speaks is not who writes, and who writes is not who is.
ROLAND BARTHESThe politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
ROLAND BARTHESLiterature is without proofs. By which it must be understood that it cannot prove, not only what it says, but even that it is worth the trouble of saying it.
ROLAND BARTHESEvery new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
ROLAND BARTHESI have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
ROLAND BARTHESMyth is neither a lie nor a confession: it is an inflexion.
ROLAND BARTHESLanguage is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
ROLAND BARTHESIf I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
ROLAND BARTHESTo eat steak rare represents both a nature and a morality.
ROLAND BARTHESThe haiku reproduces the designating gesture of the child pointing at whatever it is (the haiku shows no partiality for the subject), merely saying: that!
ROLAND BARTHESIn an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
ROLAND BARTHESThe new is not a fashion, it is a value.
ROLAND BARTHESI call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
ROLAND BARTHES