A photograph is always invisible, it is not it that we see.
ROLAND BARTHESAs Spectator I wanted to explore photography not as a question (a theme) but as a wound.
More Roland Barthes Quotes
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To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
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There is only one way left to escape the alienation of present day society: to retreat ahead of it.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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Every photograph is a certificate of presence.
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I make the other’s absence responsible for my worldliness.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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It must always be considered as though spoken by a character in a novel
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Isn’t desire always the same, whether the object is present or absent? Isn’t the object always absent? -This isn’t the same languor: there are two words: Pothos, desire for the absent being, and Himéros, the more burning desire for the present being.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
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I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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The haiku reproduces the designating gesture of the child pointing at whatever it is (the haiku shows no partiality for the subject), merely saying: that!
ROLAND BARTHES