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Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.

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Believe Best Character Explanatory Fall Notice Particular Passage Script Something

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA

Believe Best Character Explanatory Fall Notice Particular Passage Script Something
While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
AKIRA KUROSAWA

Actor Camera Direct Else Focus Gaze Look Rarely Rolling Somewhere
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

Express Film Flower Inner Need Project Root Something Tree
I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
AKIRA KUROSAWA

Attain Believe Filmmaker First Hope Inspire Make People Place Quality Quantity
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.
AKIRA KUROSAWA

Create Direct Film Greedy Movie Moving never People Satisfy Thing Think
I have no idea who the characters are, later, their personalities take over anything I might want to do.
AKIRA KUROSAWA

Anything Character Go Idea might Over Personality Want Writing
Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive.
AKIRA KUROSAWA

Achieve Alive Best Come Done Pleasure Strength Unless Work
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
AKIRA KUROSAWA

Action Character Dialogue Difficult Explain Moment Particular Possible Psychological State
Of all my films, people wrote to me most about this one.
AKIRA KUROSAWA

All Book Film Most One Think Write Wrote
I like silent pictures and I always have … I wanted to restore some of this beauty. I thought of it, I remember in this way.
AKIRA KUROSAWA

Art Beauty Like Always Picture Remember Restore Silent Technique Way
I like unformed characters. This may be because, no matter how old I get, I am still unformed myself.
AKIRA KUROSAWA

Character Matter May Myself Old Still Unformed
I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA

Especially Gift Hate Special Strong
One of techniques of modern art is simplification, and that I must therefore simplify this film.
AKIRA KUROSAWA

Film Modern One Simplification Simply Technique Therefore

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