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I like unformed characters. This may be because, no matter how old I get, I am still unformed myself.

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Character Matter May Myself Old Still Unformed

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
AKIRA KUROSAWA

Attain Believe Filmmaker First Hope Inspire Make People Place Quality Quantity
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA

Believe Best Character Explanatory Fall Notice Particular Passage Script Something
I like silent pictures and I always have … I wanted to restore some of this beauty. I thought of it, I remember in this way.
AKIRA KUROSAWA

Art Beauty Like Always Picture Remember Restore Silent Technique Way
The Japanese see self-assertion as immoral and self- sacrifice as the sensible course to take in life.
AKIRA KUROSAWA

Assertion Country Course Immoral Life Sacrifice Self Sensible Take
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA

Artist Contribute Detail Each Mean Must Order Own Reality Search Universe
It is the power of memory that gives rise to the power of imagination.
AKIRA KUROSAWA

Give Imagination Memory Power Rise
Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive.
AKIRA KUROSAWA

Achieve Alive Best Come Done Pleasure Strength Unless Work
When it is very well expressed, one experiences a particularly deep emotion while watching that film.
AKIRA KUROSAWA

Deep Emotion Experience Express Film Particular Very Watch Well
For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA

Able Camera Cinematic Cross Expression Fire Microphone Truly Water
The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

Express Film Flower Inner Need Project Root Something Tree
One of techniques of modern art is simplification, and that I must therefore simplify this film.
AKIRA KUROSAWA

Film Modern One Simplification Simply Technique Therefore
It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit.
AKIRA KUROSAWA

Bear Blossom Direct Fruit Grow Make Nurture Script Tree Write
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.
AKIRA KUROSAWA

Create Direct Film Greedy Movie Moving never People Satisfy Thing Think
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA

Bad Director Expression Film Fire Good Masterpiece Mediocre Passable Producer Real Same Script

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