During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWAIt is the power of memory that gives rise to the power of imagination.
More Akira Kurosawa Quotes
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In a mad world only the mad are sane.
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To be an artist means never to avert one’s eyes.
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He is still my favourite author, and he is the one – I still think – who writes most honestly about human existence.
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Man is a genius when he is dreaming.
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Human beings share the same common problems. A film can only be understood if it depicts these properly.
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With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
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They don’t know it, but they’re losing nature. They don’t see that they’re going to perish. The most important things for human beings are clean air and clean water.
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The characters in my films try to live honestly and make the most of the lives they’ve been given.
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For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.
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Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
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When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
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By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
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I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
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If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
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I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA