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It is the power of memory that gives rise to the power of imagination.

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Give Imagination Memory Power Rise

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

People today have forgotten they’re really just a part of nature. Yet, they destroy the nature on which our lives depend. They always think they can make something better…
AKIRA KUROSAWA

Air Better Depend Destroy Forgotten Nature Part People Something Thinking
The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

Express Film Flower Inner Need Project Root Something Tree
Man is a genius when he is dreaming.
AKIRA KUROSAWA

Dream Genius Inspire Man
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA

Make Movie Power Real Script Something
Page 61: No matter where I go in the world, although I can’t speak any foreign language.
AKIRA KUROSAWA

Although Foreign Home Language Matter People Speak Thinking World
I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
AKIRA KUROSAWA

Earth End Feel Foolish Friction Home International Notice Out Place
If you look at everything straight on, there is nothing to be afraid of.
AKIRA KUROSAWA

Afraid Everything Look Nothing Straight
I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA

Book Country Film Idiot Like Literature Long Make Want Wonderful
For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA

Able Camera Cinematic Cross Expression Fire Microphone Truly Water
To be an artist means never to avert one’s eyes.
AKIRA KUROSAWA

Art Artist Avert Eye Mean
While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
AKIRA KUROSAWA

Actor Camera Direct Else Focus Gaze Look Rarely Rolling Somewhere
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
I like silent pictures and I always have … I wanted to restore some of this beauty. I thought of it, I remember in this way.
AKIRA KUROSAWA

Art Beauty Like Always Picture Remember Restore Silent Technique Way
In a mad world only the mad are sane.
AKIRA KUROSAWA

Crazy Depression Insane Mad World
I have no idea who the characters are, later, their personalities take over anything I might want to do.
AKIRA KUROSAWA

Anything Character Go Idea might Over Personality Want Writing

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