“It [success] is really by mistake.”

The intention to separate art from politics is itself a very political intention.

I have always stated I designed the stadium as a toilet seat.

Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.

There’s no single artwork I even want to mention or that I can even really think about it to have any feeling, to be proud of it.

I think of art as coming from daily life, daily experience. I think it’s very important not to have it become work for some kind of elite circle.

We never really see the global situation as a total situation. Today’s political leaders are still lacking of the vision.

If we all say the same thing, then I think the government has to listen. But because no one is saying it, I become singled out, even though what I’m saying is common sense.

People who can’t do that don’t get a sense of responsibility. And if you lack a sense of responsibility, you push the blame onto the system.

They very often just try to cope with their own election, their own popularity, solving the problem or selling the ideas to meet their own voters. By doing that, it creates a great imbalance in terms of making deals or treaty or all those things.

If civil society has nobody who protects the law, then what kind of society is that?

I don’t think I was very structured in that society and I don’t really believe in personal success, which most Americans believe in.

If human rights are supposed to have any meaning, then they have to be discussed openly.

This world should be much more open and should be much more free, so the young people would have the chance to exercise the quality of their lives.

If people are being abused or even killed during an arrest, this is highly disturbing.

I don’t think [price] reflects if the work is good or bad.A good artist shouldn’t be nervous about that.

A clear understanding of such differences will help the rest of the world understand China and all that is happening to the nation.