Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.
AI WEIWEIDestroy or build. Crazy or noncrazy. I’m not nostalgic about the old city. I don’t enjoy it that much.
More Ai Weiwei Quotes
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Warhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.
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There’s no single artwork I even want to mention or that I can even really think about it to have any feeling, to be proud of it.
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[Cultural departments] don’t care about culture. Maybe they’re the furthest from the people who understand culture.
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A state like China looks so powerful, but they are so scared of the Internet, so the Internet is more powerful than them.
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I don’t think I was very structured in that society and I don’t really believe in personal success, which most Americans believe in.
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It’s really rubbish that some kind of “technical” learning means you will be a better person because you know this skill better.
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Even if there have been setbacks during these past years, China is changing. China’s society is opening.
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[Therefore] holding a trial outside the court. I think that is fairness, that is justice, that is a civil society. Otherwise call it an evil society because everything is hidden.
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I have always stated I designed the stadium as a toilet seat.
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No state or society can claim to have established human rights once and for all.
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By participating in the society we live in, we understand our conditions and the way we relate to the world.
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We are living in a popular culture where everything is overexposed.
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I think Allen [Ginsberg] was a person who’s like a child.
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They very often just try to cope with their own election, their own popularity, solving the problem or selling the ideas to meet their own voters. By doing that, it creates a great imbalance in terms of making deals or treaty or all those things.
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I think by not letting young people be fully informed, how can they have energy and passion and the right picture of the world? I think that’s the true crime.
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The world is not changing if you don’t shoulder the burden of responsibility.
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The deadly weapon against totalitarian society is openness – doing everything very openly on the Internet, letting people know every detail, any little development. Once it is out there, everybody can make their own judgement.
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It’s very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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Hopefully, other successes aren’t like me. It carries much more meaning to other people; my success story is irrelevant. It doesn’t make any sense.
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And the kind of condition he had when he was in this society – the kind of mistreatment society gave him.
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Of course, there [in China] has to be chaos. It has to be crazy, and I don’t think there’s anything wrong about it except this government, which is really incapable of doing anything meaningful.
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If there’s the right condition, I always want to express the concept or ideas in a very independent way.
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Behind every political deal in this country, the first casualties are always the ordinary people, who are barely treated as human.
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Of course, people will call you an old artist or young artist, which is just a character of you.
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Just look at the statistics: Each university has tens of thousands of applications for students who want to be in art school, but they can only accept a few hundred.
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[Shanghai Biennale] has been my attitude for as long as I’ve been practicing art and other cultural-related activities.
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