“If there is no freedom of expression, then the beauty of life is lost. Participation in a society is not an artistic choice, it’s a human need.”

The whole Chinese system – not just the political leadership, the military too, the whole power structure, our education system, the whole of society – is suffering from being cut off from the free flow of information.

I lived there [ in New York City] as an artist, but never as a Chinese artist.

As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.

For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political.

I think the pearls – one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl – really show a kind of [society] condition.

If you don’t act, the danger becomes stronger.

It’s the place they take you before they give you over to the judicial system. You stay there for a year or two and they make you really suffer to confess everything.

I don’t think there is a distinct change, because in the West I’m not a person who can serve his purpose.

You know about the fantasies related to the classics, but there is no real discussion about today’s life and no discussion of the real conditions – which is really sickening.

I’m totally independent. I don’t bear any responsibility to any system.

Life is never guaranteed to be safe, so we better use it while we are still in good condition.

For years, I refused to go to any openings, not even my own.

I was in the most restricted prison in China, the most tough. The design of the prison is modeled for internal crimes of the Communist party, so it’s like a mafia family’s law. It’s independent to the law this nation openly applies.

I grew up in a desert, which has no kind of imagination.

Being an artist is more of a mindset, a way of seeing things; it is no longer so much about producing something.

We literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet.

I know of no substitute whatever for the force and beauty of an artistic process.

Jazz exemplifies artistic activity that is at once individual and communal, performance that is both repetitive and innovative, each participant sometimes providing background support and sometimes flying free.

I was an artist, I was executive producer on my first album, so I’ve always had to manage both. I couldn’t get a record deal. It wasn’t by choice – I couldn’t get a record deal, so I had to figure it out.

We all have our individual artistic temperaments as well as partisanships in creative directions. And we have strong opinions on the merits of the products of our occupation.

When you have a reputation for making not only good songs but great albums, that in itself creates added artistic pressure. But, at the end of the day, I guess that pressure is something I welcome.

Artistic vision comes from a mind clear enough to fall in love with what we see.

Artistic vision is having the clarity to fall in love with what you see.

To be ‘intellectual’ or ‘artistic’ or, in their own word, to be ‘highbrow,’ is to be priggish and of dubious virtue.