Light is good company, when alone; I took my comfort where I found it, and the warmest yellow bulb in the living-room lamp had become a kind of radiant babysitter all its own.
AIMEE BENDERIt is all about numbers. It is all about sequence. It’s the mathematical logic of being alive.
More Aimee Bender Quotes
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Sometimes, she said, mostly to herself, I feel I do not know my children…
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I watched as she added a question mark at the end. Arc, line, space, dot.
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He was also removing all traces of any tiny leftover parts, and suddenly a ritual which I’d always found incestuous and gross seemed to me more like a desperate act on Joseph’s part to get out, to leave, to extract every little last remnant and bring it into open air.
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Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.
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But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think?
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If everything kept to its normal progression, we would live with the sadness-cry and then walk-but what really breaks us cleanest are the losses that happen out of order.
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The writing I tend to think of as ‘good’ is good because it’s mysterious.
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To see someone you love, in a bad setting, is one of the great barometers of gratitude.
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My genes, my love, are rubber bands and rope; make yourself a structure you can live inside. Amen.” – Aimee Bender (Willful Creatures: Stories)
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I am the drying meadow; you the unspoken apology; he is the fluctuating distance between mother and son.
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As a writer you ask yourself to dream while awake.
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Mom loved my brother more. Not that she didn’t love me – I felt the wash of her love every day.
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I am not happy, help me — like a message in a bottle sent in each meal to the eater, and I got it. I got the message.
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Many kids, it seemed, would find out that their parents were flawed, messed-up people later in life, and I didn’t appreciate getting to know it all so strong and early.
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With my hand in his, I looked at all the apartment buildings with rushes of love, peering in the wide streetside windows that revealed living rooms painted in dark burgandies and matte reds.
AIMEE BENDER