Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.
AI WEIWEIChina hasn’t only existed for one day. Now, the whole nation has become richer and it’s become a problem. The problem is universal. The factor is big. Everybody has to rethink the balance of the world and the whole landscape.
More Ai Weiwei Quotes
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Everyone wants an iPhone, but it would be impossible to design an iPhone in China because it’s not a product; it’s an understanding of human nature.
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We have to give our opinion, we have to say something, or we are a part of it. As an artist I am forced to say something.
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Nationality started as something natural, but we should not be restrained by the old politics that make up these clear lines. It should have its own way of evolving. In some places, it will evolve slower and in others, faster.
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In my case, I was stuck there for quite a while. New York is large enough to be a very abstract city, so nobody cares.
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Today, we jump into this globalization of the economy and the internet age.
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New York has given me a lot, but I still don’t consider it home.
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In the end, I think, the state’s rigidity is a function of its own insecurity, its indecisiveness.
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I don’t think China has professional museums – not in the past, present, or near future.
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To experience poetry is to see over and above reality. It is to discover that which is beyond the physical, to experience another life and another level of feeling.
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There’s no single artwork I even want to mention or that I can even really think about it to have any feeling, to be proud of it.
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The museums used to be exhibition halls for government propaganda, and now every city wants to build a museum.
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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Paintings can be painted with the left hand, the right hand, someone else’s hand, or many people’s hands. The scale of production is irrelevant to its content.
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The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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