You have so many museums in the West, and so many shows, you need somebody to show the work, otherwise it’s empty.
AI WEIWEITo the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
More Ai Weiwei Quotes
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The IT people who have made such an effort to know and understand computer technology. They are frustrated that you cannot use Facebook, Twitter and YouTube in China. They are the first to recognize that the situation is terrible.
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I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
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For years, I refused to go to any openings, not even my own.
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In my case, I was stuck there for quite a while. New York is large enough to be a very abstract city, so nobody cares.
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I’m an artist who is always looking for what is possible. I’m always looking to extend the boundaries.
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If you don’t act, the danger becomes stronger.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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It is not an easy job to govern China, I am aware of that. There are crises and emergencies all the time, we might not even be aware of some. But I am afraid we’ll have to wait and observe precisely what the government is up to.
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You’re still being looked at as somebody who – it’s a very complicated issue.
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As a human being, member of society, you must clearly state your mind. It’s a responsibility. It is the way you identify yourself otherwise you don’t know who you are and why you are here.
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I wouldn’t say I’ve become more radical: I was born radical.
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Even today the borders they’re seeing the physical borders are very different from the political borders. Because all those powers are so connected, and you cannot even see whose interest in what move.
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So for too long Americans take liberty as granted. We think we are in the safe hand, the democracy and the liberty, which is not true. And it can be even getting much worse than today.
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It’s really rubbish that some kind of “technical” learning means you will be a better person because you know this skill better.
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We are living in a popular culture where everything is overexposed.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.
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They see how dramatic U.S. has to be put this kind of shame on its own – cannot handle the situation. Or show such a difficulty with this liberal ideas. Men or women created equal. And to defend those very essential ideas.
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I’m doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I’ve been preparing for half a year.
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A small act is worth a million thoughts.
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I don’t like China. Even today, I still feel I have no emotional relations with this place.
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So, the politicians and the people who make decisions very often is the one we think can make some difference. But of course they will not make a difference if the citizens or the individuals not push it or not to speak out, to possess a very strong voice about, this is not acceptable.
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Paintings can be painted with the left hand, the right hand, someone else’s hand, or many people’s hands. The scale of production is irrelevant to its content.
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I lived there [ in New York City] as an artist, but never as a Chinese artist.
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As long as I can communicate, I’m not so lonely. If I cannot travel, or do art, or have company, if they take away all my belongings, it doesn’t matter at all.
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