Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
AI WEIWEIMy definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people.
More Ai Weiwei Quotes
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My typical day is I wake up and appreciate that I can still wake up.
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It’s really rubbish that some kind of “technical” learning means you will be a better person because you know this skill better.
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Freedom of expression is a very essential condition for me to make any art. Also, it is an essential value for my life. I have to protect this right and also to fight for the possibility.
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This is a very general understanding of art in China, that being an artist can make you money and turn you into a star.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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How to become a really modern society when today we are so – as a human being, we feel so powerful. We have high technology and a superb way of controlling our life. And at the same time, in many ways we are so primitive.
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Each year, more people want to become artists.
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In my case, I was stuck there for quite a while. New York is large enough to be a very abstract city, so nobody cares.
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To work in architecture you are so much involved with society, with politics, with bureaucrats. It’s a very complicated process to do large projects.
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I also doubt a man can give really clear reasons for anything.
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Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
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Life is never guaranteed to be safe, so we better use it while we are still in good condition.
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Maybe being powerful means to be fragile.
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Many people are going to use [Beijing National Stadium], which makes it more meaningful. If we don’t design it, somebody else has to design it.
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I don’t personally feel any association with a kind of culture related to state, or culture related to power, which I think is always disgusting.
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I have to respect my life, and free expression is part of my life. I can never really silence myself.
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Whenever there is injustice, there is tension. But in China it is very hard to release your anger unless you burn yourself or you jump from a bridge. In a society where there is no freedom of the press, it is difficult for victims to be noticed.
AI WEIWEI -
[Cultural department] understand nothing but bureaucratic daily affairs. They don’t care about culture.
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The American experience influenced my understanding of individuality, basic human rights, freedom of expression and the rights and responsibilities of citizens.
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I think it’s more important to show your work to the public.
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It is to wonder about the world, to understand the nature of people and, most importantly, to be shared with another, old or young, known or unknown.
AI WEIWEI -
The so-called culture nowadays is only a fake one with a superficial front. It is an empty lie.
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I think of art as coming from daily life, daily experience. I think it’s very important not to have it become work for some kind of elite circle.
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Liberty is about the right to question everything.
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I never really read Allen Ginsberg poetry, even though I have a book he gave me.
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The Internet changes the structure of society all the time — this massiveness made of individuals.
AI WEIWEI