As a human being, member of society, you must clearly state your mind. It’s a responsibility. It is the way you identify yourself otherwise you don’t know who you are and why you are here.
AI WEIWEIWarhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.
More Ai Weiwei Quotes
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[Cultural department] understand nothing but bureaucratic daily affairs. They don’t care about culture.
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I have to find a place for my own. I have to search for my own happiness.
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Any individual can contribute its own belief. And our society or even our government are made by the people. The people would have the final voice, but it requires each individual to act. If we don’t act, then the result is very clear.
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I’m doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I’ve been preparing for half a year.
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The art always wins. Anything can happen to me, but the art will stay.
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I think by not letting young people be fully informed, how can they have energy and passion and the right picture of the world? I think that’s the true crime.
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If a nation cannot face its past, it has no future.
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I always want people to be confused, to be shocked or realize something later.
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The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.
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Today, we jump into this globalization of the economy and the internet age.
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I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
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A few thousand are to be built in the next few years, all using taxpayer money. But there is no system, no research, no content, no good programs, no good managers.
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People have been longing for this moment, because it symbolises a turning point in China’s relationship with the outside world.
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I loved New York — every inch of it. It was a little bit scary at that time, but still, the excitement was so strong — visually and intellectually. It was like a monster.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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