“No one escapes the wilderness on the way to the promised land.”

It was less like seeing than like being for the first time seen, knocked breathless by a powerful glance.

Nature is, above all, profligate.

I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you.

Experiencing the present purely is being empty and hollow; you catch grace as a man fills his cup under a waterfall.

She read books as one would breathe air, to fill up and live.

Nothing moves a woman so deeply as the boyhood of the man she loves.

Spend the afternoon. You can’t take it with you.

I had been my whole life a bell, and never knew it until at that moment I was lifted and struck.

There are no events but thoughts and the heart’s hard turning, the heart’s slow learning where to love and whom. The rest is merely gossip, and tales for other times.

Art is like an ill-trained Labrador retriever that drags you out into traffic.

I do not so much write a book as sit up with it, as a dying friend. I hold its hand and hope it will get better.

Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home.

Nature’s silence is its one remark, and every flake of world is a chip off that old mute and immutable block.

At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening.

The world knew you before you knew the world.

Our life is a faint tracing on the surface of mystery.

It has not escaped our notice that the specific pairing we have postulated immediately suggests a possible copying mechanism for the genetic material.

The artist is a kind of prison from which the works of art escape.

By the help of microscopes, there is nothing so small, as to escape our inquiry; hence there is a new visible world discovered to the understanding.

Nature does not make leaps.

Man seeks to escape himself in myth, and does so by any means at his disposal. Drugs, alcohol, or lies. Unable to withdraw into himself, he disguises himself. Lies and inaccuracy give him a few moments of comfort.

I’m not running, I’m not planning on running, and I’ve got nothing new on that story.

When any calamity is suffered, the first thing to be remembered is, how much has been escaped.

The moral imperative to make big changes is inescapable…that what we take for granted may not be here for our children