One of the good things about my having some recognition is that I can do something for the people
AGNES DE MILLEI had had to learn the difference between the bearable fatigue and the unbearable, the fatigue of fear. The first can be cured by a night’s sleep; the second kills.
More Agnes de Mille Quotes
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great artists can be uncertain. Of course they are while strugggling to find solutions.
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Dancers don’t get invited to visit people. It is assumed a boy dancer will run off with the spoons and a girl with the head of the house.
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If you want to understand a nation, look at its dances and listen to its folk songs – don’t pay any attention to its politicians.
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Modern dancers give a sinister portent about our times. The dancers don’t even look at one another.
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The creative urge is the demon that will not accept anything second rate.
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We can’t stand silence, because silence includes thinking. And if we thought, we would have to face ourselves.
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So that we don’t go mad in the leisure, we have color TV. So that there will never, never, be a moment of silence, we have radio and Muzak.
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There is something fearfully strengthening about cutting free even if the ties bandage the heart itself.
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I studied the way I danced- to the point of dropping.
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Find the passion. It takes great passion and great energy to do anything creative. I would go so far as to say you can’t do it without that passion.
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The choreographic process is exhausting. It happens on one’s feet after hours of work, and the energy required is roughly the equivalent of writing a novel and winning a tennis match simultaneously.
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So that we will miss nothing. Partly it’s greed, but mainly its curiosity. We just want to experience it. And we do.
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Ours is an upbeat, a hurried, hasty beat. It keeps pressing us to go farther, to include everything so that we can savor everything, so that we can know everything.
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The practice mirror is to be used for the correction of faults, not for a love affair, and the figure you watch should not become your dearest friend.
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The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind.
AGNES DE MILLE