If you have a connection to someone, it doesn’t matter what their exterior is.
AGYNESS DEYNI’d done a few short films before and thought acting was really creative, but when I worked with those guys, I was just like: “Wow!” They had such fun and freedom. They were trying things and stretching themselves. It was so inspiring that I was like: “I definitely want to do this!”
More Agyness Deyn Quotes
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I don’t expect that because I was successful in one field that I will then get a ride of passage into another.
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When you’re young, you say it how it is, and even your views are, like, ‘This is totally the truth’, ‘cos you don’t know any difference, so there’s a real confidence in your way of thinking.
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My mum used to always dress me and my sister in matching Laura Ashley dresses. And I’d be like, ‘Mum, I just wanna wear my Doc Martens!
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I suppose I have stopped modeling officially. I’ve not done any for a good long while now.
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I’m like a boomerang, I always come back.
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Anyone would be up for a little bit of a change. It is so rewarding to do a movie, and so enjoyable. It’s hard work, but really wonderful.
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I love ‘Breathless,’ and ‘Paris, Texas,’ and ‘Badlands.’
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Everything about acting drives me and gives me the need to really try it. It’s an evolution – doing the same thing for 12 years is kind of a chunk.
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Not just in modeling, but in society, there’s so much pressure about what a woman should be, and, of course, it’s just so unobtainable.
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I get on with all my exes, so there’s nothing I need to forget about. I don’t know – life is shorter than it seems.
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I had a really small role (playing goddess Aphrodite), and I was only working for just over a week with Ralph Fiennes and Liam Neeson.
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It is captivating, isn’t it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film.
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I’ve always got on with lads, more than I have with girls.
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Modelling is only about the look. In acting, it’s the feel that matters.
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I’d done a few short films before and thought acting was really creative, but when I worked with those guys, I was just like: “Wow!” They had such fun and freedom. They were trying things and stretching themselves. It was so inspiring that I was like: “I definitely want to do this!”
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And what I love is that it’s such a creative process, with a bunch of people, and I wanted that more, which is how the acting thing came about.
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I don’t really see myself as a big supermodel.
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I was obsessed with those films in my teens. I remember watching ‘Badlands’ and being amazed that there were these scenes in which nobody said anything and the silence told the whole story.
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When I first started modelling, as I was walking down the catwalk I just thought,
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I feel what is really great about Pusher is that it wasn’t about drugs and guns and strippers. That was just all circumstantial.
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For modeling, I was always creating characters. I dress like a tomboy. So, when I’d go into a shoot, there’d be all these dresses, and I’d say to myself, ‘Okay, this isn’t me. It’s somebody else. So, who is this person?’ Acting is the next level of that.
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I’ve always been really private about my personal life. I don’t talk about it.
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I don’t really go to fashion parties; they’re not my scene.
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I’ve never had formal drama-school training; I’ve just picked things up as I’ve gone along.
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Every single thing is like a new thing, so it’s never what I expect.
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For modelling, you have to be such a strong person in a way – or seen to be a strong person, do you know what I mean? But in acting you have to get in touch with all the vulnerability that you carry.
AGYNESS DEYN