“I love ‘Breathless,’ and ‘Paris, Texas,’ and ‘Badlands.’”

I was obsessed with those films in my teens. I remember watching ‘Badlands’ and being amazed that there were these scenes in which nobody said anything and the silence told the whole story.

Not just in modeling, but in society, there’s so much pressure about what a woman should be, and, of course, it’s just so unobtainable.

It will appeal to girls who are confident and have a strong personal expression of style and identity in the way that they dress and what this says about themselves.

I’m just learning and growing, and overcoming the fear.

You watch her, and you can’t help but notice all of that about her. She’s so influential.

I’ve always got on with lads, more than I have with girls.

Laughing is, like, my favorite thing to do.

Fashion isn’t me, even though I work in it. It’s just materialistic stuff.

Modelling is only about the look. In acting, it’s the feel that matters.

Well, I suppose I’ve never really had a lifestyle that needs upkeep. I don’t get cabs; I’m on the Tube with my Oyster card.

I just want to do whatever makes me happy…Like being totally conscious. Laughing is, like, my favorite thing to do. Being with friends, having fun…being a bit daft.

It is captivating, isn’t it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film.

Anyone would be up for a little bit of a change. It is so rewarding to do a movie, and so enjoyable. It’s hard work, but really wonderful.

My mum used to always dress me and my sister in matching Laura Ashley dresses. And I’d be like, ‘Mum, I just wanna wear my Doc Martens!

I’m not the new anything; I’m just Agyness.

I don’t really go to fashion parties; they’re not my scene.

Don’t make me regret this”, i said breathless. “you haven’t regretted me once.

Don’t make me regret this” i said, breathless. ” you haven’t regretted me once”. He kissed me, and i answered so hungrily i thought my lips would bruise. Patch&nora ( p. 180)