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Who am I?, the artist asks. And he devotes his whole life to finding out.

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Artist Ask Dancing Devote Finding Life Out Whole

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Theater people are always pining and agonizing because they’re afraid that they’ll be forgotten. And in America they’re quite right. They will be.
AGNES DE MILLE

Afraid Agonizing Always Aponizing Counrry Country Forgotten People Pining Quite Right Theatre
So that we will miss nothing. Partly it’s greed, but mainly its curiosity. We just want to experience it. And we do.
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Curiosity Experience Mainly Miss Noting Partly So Wanted
Ballet technique never becomes easy, it becomes possible
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Ballet Become Dance Easy Possible Technique
This is the precise difference between dancing and acrobatics. The dancer tries to express something; the acrobat merely pulls, raises, stretches and grinds.
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Acrobat Between Dance Dancing Express Grind Merely Precise Pull Raise Something Stretch Tries
But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage.
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Coin Current Did Knew Usage Want Well Worn
I want one word on my tombstone – dancer.
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Dancer Dancing Tombstone Wanted Word
Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.
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Balanced Ballet Dance Faster Higher Kicked Longer Passion Poor Substitute Turned Women
Who am I?, the artist asks. And he devotes his whole life to finding out.
AGNES DE MILLE

Artist Ask Dancing Devote Finding Life Out Whole
Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little.
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Creativity Die Faith Knowing Life Little Living Moment Next
What I could not learn was to think creatively on schedule.
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Could Creativity Learn Schedule Think
Living is a form of not being sure, not know what next or how… The artists never entirely knows.
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Artist Being Entirely Form Know Next Show Sure
In the same way the lifted leg of an arabesque becomes a wing, and not a mechanical leverage like a raised trap door.
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Arabesque Door Leg Leverage Lifted Mechanical Raised Same Trap Way Wing
Dance in the body you have.
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Body Dance
From this voyage no one returns poor or weary.
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Nom One Poor Return Voyage Weary
The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.
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Artist Dark Entirely Guess Know Leap Take Wrong
What have we got here in America that we believe we cannot live without?
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Believe Color Country Thinking Without

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