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Modern dancers give a sinister portent about our times. The dancers don’t even look at one another.

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Dancer Giving Hypnosis Modern Our Self Sinister Time

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But remember that intent is everything. One does not just jump, one lifts into the air, one rises.
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Ballet technique never becomes easy, it becomes possible
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The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.
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Theater people are always pining and agonizing because they’re afraid that they’ll be forgotten. And in America they’re quite right. They will be.
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I studied the way I danced- to the point of dropping.
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Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little.
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But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage.
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Coin Current Did Knew Usage Want Well Worn
Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession.
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Alternate Beethoven Byword Celebrity Dance Day Decision Ending Every Exhaustion Lack People Profession Wrestled
The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind.
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One of the good things about my having some recognition is that I can do something for the people
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What I could not learn was to think creatively on schedule.
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great artists can be uncertain. Of course they are while strugggling to find solutions.
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What they wanted was something newly experienced, and therefore unknown and hard to attain.
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From this voyage no one returns poor or weary.
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Modern dancers give a sinister portent about our times. The dancers don’t even look at one another.
AGNES DE MILLE

Dancer Giving Hypnosis Modern Our Self Sinister Time
Dance in the body you have.
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Body Dance

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