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We who were loved will never unlive that crippling fever.

Adrienne Rich

I am a feminist because I feel endangered, psychically and physically, by this society and because I believe that the women’s movement is saying that we have come to an edge of history.
ADRIENNE RICH

Bad Ass Believe Children Endangered Feminist Physically Society
I believe that words can help us move or keep us paralysed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives and whom we end up speaking with and hearing.
ADRIENNE RICH

Believe Choice Help Keep Language Life Move Paralysed Respect
When a woman tells the truth she is creating the possibility for more truth around her.
ADRIENNE RICH

Creating Possibility Telling Truth Woman
Much male fear of feminism is infantilism–the longing to remain the mother’s son, to possess a woman who exists purely for him.
ADRIENNE RICH

Exist Fear Feminism Infantilism Longing Male Mother Much Purely Remain Son
The moment of change is the only poem.
ADRIENNE RICH

Change Healing Moment Poem Poetry
Until we know the assumptions in which we are drenched, we cannot know ourselves.
ADRIENNE RICH

Assumption Drenched Know Ourselves Until
If I cling to circumstances I could feel not responsible. Only she who says she did not choose, is the loser in the end.
ADRIENNE RICH

Choose Circumstance End Feel Loser Responsible
One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
ADRIENNE RICH

Art Blazed Detachment Glorify Love Spraypaint Torture Typed Wall Year
Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we’re not alone in the universe, even in sleep.
ADRIENNE RICH

Alone Enough Meadow Midnight Planet Rotating Sleep Sleeping Touch Turning
In [family snapshots] the flow of profane time has been stopped and a sacred interval of self-conscious revelation has been cut from it by the edge of the picture frame and the light of the sun or the flash.
ADRIENNE RICH

Conscious Cutting Interval Light Profane Revelation Self Stopped Time
The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
ADRIENNE RICH

Citizen Class Generation Grief Magnet National Race Relationship Wall War
I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.
ADRIENNE RICH

Connection Going Isolated Kind Mean Movement Thinking Two
It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
ADRIENNE RICH

Art Come Committed Desire Economic Enormous Institution Poetry Require Social
I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
ADRIENNE RICH

Create Every Joined Keep Knowledge Long Passive Pipe Plumbing Script Something Used Writing
I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
ADRIENNE RICH

Generation Idea Irrelevant Raised Succumb Tech Television
Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
ADRIENNE RICH

Buried Collapse Difficult Inadequate Memory Merely Unspeakable Unspoken

We who were loved will never unlive that crippling fever.

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We who were loved will never unlive that crippling fever.

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