“The marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.”

No one ever told us we had to study our lives,make of our lives a study, as if learning natural historyor music, that we should beginwith the simple exercises firstand slowly go on tryingthe hard ones.

In a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.

Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.

Only where there is language is there world.

Freud rediscovered the underworld of consciousness that European rationalism had denied. But when you have a nation of people in therapy and counselling.

To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence– words you have dreaded and needed in order to know you exist.

Courage is not defined by those who fought and did not fall, but by those who fought, fell and rose again.

Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.

The impulse to create begins – often terribly and fearfully – in a tunnel of silence.

The difficulty of saying I-a phrase from the East German novelist Christa Wolf. But once having said it, as we realize the necessity to go further, isn’t there a difficulty of saying ‘we’? You cannot speak for me.

Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.

There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence

Weather abroad and weather in the heart alike come on Regardless of prediction.

Until we know the assumptions in which we are drenched, we cannot know ourselves.

Every journey into the past is complicated by delusions, false memories, false namings of real events.

I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.