Painting is a magical process that I like, where you conjure something out of nothing; you get a little idea that leads you through. You can go into a trance while you’re doing it, so it’s a nice contrast to real life.
Painting is similar to music. You get a couple or words or notes or chords that excite you, and you just follow them and add a bit more and see where it takes you. That’s the thrill for me. It still is a thrill, which is amazing after all this time.
By the time we made “Abbey Road”, John and I were openly critical of each other’s music, and I felt John wasn’t much interested in performing anything he hadn’t written himself.
