Women’s art, though created in solitude, wells up out of community.
ADRIENNE RICHA decade of cutting away dead flesh, cauterizing old scars ripped open over and over and still it is not enough.
More Adrienne Rich Quotes
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In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
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Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
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the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
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And perhaps there is none now; but we will have to make it, we who want an end to suffering, who want to change the laws of history, if we are not to give ourselves away.
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If, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens.
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Heterosexuality has been forcibly and subliminally imposed on women. Yet everywhere women have resisted it, often at the cost of physical torture, imprisonment, psychosurgery, social ostracism, and extreme poverty.
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Each feminist work has tended to be received as if it emerged from nowhere; as if each one of us had lived, thought, and worked without any historical past or contextual present.
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When men – insofar as they are embodiments of the patriarchal idea – have become dangerous to children and other living things, themselves included
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You have to give your art everything you can – I don’t mean only writing, but studying other poets and poetics, thinking, reading what poets have written other than their poetry.
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In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
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We have seen over and over that white male historians in general have tended to dismiss any history they didn’t themselves write,on the grounds that it is unserious, unscholarly, a fad, too “political,” “merely” oral and thus unreliable.
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The word revolution itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics.
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The kind of poetry that interests me is intellectual and moral and political and sexual and sensual – all of that fermenting together.
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An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
ADRIENNE RICH






