Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.
ADRIENNE RICHIt is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
More Adrienne Rich Quotes
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We have lived with violence far too long.
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Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
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The mother’s battle for her child with sickness, with poverty, with war, with all the forces of exploitation and callousness that cheapen human life needs to become a common human battle, waged in love and in the passion for survival.
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he ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves.
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For now, poetry has the capacity – in its own ways and by its own means – to remind us of something we are forbidden to see.
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Mothers and daughters have always exchanged with each other – beyond the verbally transmitted lore of female survival.
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When men – insofar as they are embodiments of the patriarchal idea – have become dangerous to children and other living things, themselves included
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Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you; it means learning to respect and use your own brains and instincts; hence, grappling with hard work.
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Some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand–a center of gravity.
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The assumption that women are a subgroup, that men’s culture is the ‘real’ world, that patriarchy is equivalent to culture and culture to patriarchy, that the ‘great’ or ‘liberalizing’ periods of history have been the same for women as for men.
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I believe that words can help us move or keep us paralyzed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives.
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It is not really about them though it targets them as consumers.
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There must be those among whom we can sit down and weep and still be counted as warriors.
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There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
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In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
ADRIENNE RICH