The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
ADRIENNE RICHIt is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
More Adrienne Rich Quotes
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Nothing could have prepared me for the realization that I was a mother … when I knew I was still in a state of uncreation myself.
ADRIENNE RICH -
That primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
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It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
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Passion for survival is the great theme of women’s poetry.
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The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude
ADRIENNE RICH -
One does not give birth in a void, but rather in a cultural and political context. Laws, professional codes, religious sanctions, and ethnic traditions all affect women’s choices concerning childbirth.
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Language is power… Language can be used as a means of changing reality.
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I believe that words can help us move or keep us paralysed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives and whom we end up speaking with and hearing.
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Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
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Strangers are an endangered species.
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TV has created a kind of false collectivity.
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I am the androgyne, I am the living mind you fail to describe in your dead language the lost noun, the verb surviving only in the infinitive the letters of my name are written under the lids of the newborn child
ADRIENNE RICH -
Women’s Studies can amount simply to compensatory history; too often they fail to challenge the intellectual and political structures that must be challenged if women as a group are ever to come into collective, nonexclusionary freedom.
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If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
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The channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
ADRIENNE RICH






