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In the book, D’Artagnan doesn’t actually become an official Musketeer until quite near the end.

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In the book, D’Artagnan doesn’t actually become an official Musketeer until quite near the end.
ADRIAN HODGES

Actually Become Book Doe End Giving Musketeer Near Official Quite Until
You do see a few people and you are thinking of how that chemistry is going to work, but it’s not really fair to put people who are auditioning together in a room.
ADRIAN HODGES

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You have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.
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But when he finally does make it, they’re not going to make it easy for him. That never changes.
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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
ADRIAN HODGES

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The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.
ADRIAN HODGES

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You’re always looking to make it a bit fresh.
ADRIAN HODGES

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The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
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He’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.
ADRIAN HODGES

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And we make quite a big thing about that. I won’t give too much away.
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I want to make sure people are constantly surprised and interested.
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Milady is, in one sense, a villain because she does bad things.
ADRIAN HODGES

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The thing about villains is that villains always have their own logic, and they don’t necessarily see themselves as villains.
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On a simple level, you need directors who are good at action and can choreograph an action scene
ADRIAN HODGES

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You can use the fun of the genre, but I also really wanted to come at it from the point of view of some really complex characterization.
ADRIAN HODGES

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Being able to do action sounds like it should be straightforward, but it really isn’t.
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