“I was speaking to Ridley Scott the other day and he makes a film every 18 months. He’s amazing really.”

Well, I think just the fact that you are making your first film is a huge step.

You have to invent a book of rules of what you can do and what you can’t do.

I looked at Brief Encounter very closely, to be honest.

I’ve always been interested in films where you can identify with the actors.

I was watching Monster’s Ball, which is a fabulous movie. It’s just a little gem: beautifully shot, and shot in a way I never would have done.

Their every instinct – and I have to say this is without exception – is to iron out the bumps, and It’s always the bumps that are the most interesting stuff.

Foxes was a movie that didn’t do a lot of business but it didn’t do too badly critically and eventually they offered me other things.

I think that there are points where you become so close to an actor,

The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.

Somebody said that I’m a bit like a sponge, grabbing things here and there, soaking stuff up. [As a director] you have to be, really.

The danger is that if you have a bunch of ideas that you forget to use.

If you are prepared to make a fool of yourself for them then you usually get that back.

Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don’t know, I’ve always been intrigued by those emotions.

I think you get better at staring into space.

And the very real danger is that if your book of rules becomes a book of cliches.

I wanted to make a movie about the arbitrary nature of love.

He’s unreal. He’s amazing in the ring. It doesn’t matter who he’s wresting. He’s unreal on the microphone.

It’s amazing what can happen if you just put your arm around somebody. It’s the truest thing and the simplest thing that does the most good a lot of times and I hope that we can all just reach out to each other.

When we’re feeling fully alive, we’re able to fully feel love. This doorway also relates to feeling our feelings fully. Not suppressing our feelings of anger, sadness or grief but allowing them to be felt. What’s amazing is that when those feelings are felt, they actually dissolve into love.

I think in the case of horror, it’s a chance to confront a lot of your worse fears and those fears usually have to do, ironically, with powerlessness and isolation.

What can a pencil do for all of us? Amazing things. It can write transcendent poetry, uplifting music, or life-changing equations

A moving or movement away from a station A waving away from a waving a motion Amazement a moment amazing a waving

Life possesses an amazing array of profoundly sad faces.

It’s always amazed me how little attention philosophers, psychologists, or anyone else actually has paid to humor.