“The bank must declare: here your money is secure and well looked after by honest people.”

It was the first work of art. A horizontal stroke: the woman lying down.

Man loves everything that satisfies his comfort.

All art is erotic.

The work of art is responsible to none; the house is responsible to everyone.

Lack of ornamentation is a sign of spiritual strength.

The room has to be comfortable; the house has to look habitable.

Be truthful. Nature only sides with truth.

The house thinks of the present.

Supply and demand regulate architectural form.

He hates everything that wants to draw him out of his acquired and secured position and that disturbs him.

The work of art wants to draw people out of their state of comfort.

The work is a private matter for the artist. The house is not.

I have emerged victorious from my thirty years of struggle.

he architect’s task therefore, is to make those sentiments more precise.

Tattooed men who are not behind bars are either latent criminals or degenerate aristocrats.

I would be able to infer, form the shape of that button

International lending banks need to focus on areas where private investment doesn’t go, such as infrastructure projects, education and poverty relief.

Money doesn’t mean anything to me. I’ve made a lot of money, but I want to enjoy life and not stress myself building my bank account.

When I said “the pocket of the banks,” it is not necessarily a mercenary relationship. It is a mindset.

Americans’ right to free speech should not be proportionate to their bank accounts.

If the environment were a bank, it would have been saved by now.

Nationalizing businesses, nationalizing banks, is not a solution for the democratic party, it’s the objective.

The issuing power should be taken from the banks and restored to the people to whom it properly belongs.

I believe that banking institutions are more dangerous to our liberties than standing armies.