“I want to take the helm and be a renegade cop, or something like that.”

That’s the really scary thing, not the slasher, macabre movies.

The actual fights themselves are very demanding.

Immediately, that gives you creative license to really recreate and explore and put a new stamp on the genre.

. You have to make sure you don’t hurt or hit someone. And hit the beats, because they have five cameras

Then you’re going to get more offers. That’s what I want to do.

The only way you can influence your fate is to put your soul into your performance and hope it registers with the audience.

I’ve never been really great at trusting anybody, just because of the way I grew up.

It’s a good way of getting you into the zone for the scene.

Because I play the trumpet and sing. I’d like to incorporate that into a character.

You want to create something fresh, original, very unique.

I’d like to do a lead action role.

It seemed like a different story, with the horror elements.

In terms of what I’m looking for, I’d like to do a lead action role.

It has a very mystic energy which informs you as an actor.

It’s a significant question: should black people only adopt black children, and white people white children?

And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting.

Killing a cop just because he’s a cop, that’ll happen. And that should happen. And there’s nothing inhuman about it at all. It’s survival. It’s the most human thing in the world.

Being judgmental about your own behavior is actually another cop-out because it makes you feel as though you’re doing something virtuous.

I’m a cop, and cops talk. They called me the day he did it, but did you ever hear me say anything about it? I played ball, because that’s how I am. I’m true.

I think it’s too bad that everybody’s decided to turn on drugs, I don’t think drugs are the problem.

I’ll buy metaphor, but simile’s a cop-out used by scaredycats who won’t commit to anything. Simile’s for cowards.

It’s a great feeling to know that 100 cops want to stop you doing something and they can’t.

Dopers become convinced they’ve hidden their stash so well a cop won’t find it. They’re always wrong.

I went back to the stage because it was my way of dealing with the success I had, my way of coping.